The counsel of the President then read his plea and answer to the
articles of impeachment. This document is very long, filling over four columns of the
daily newspapers. Briefly, it is an explicit, emphatic, and detailed denial of every
allegation and charge contained in the articles of the House. It denies any intention of
violating the Tenure-of-Office or any other law; denies the correctness of the alleged
speeches of the President; affirms his right to express his opinion the same as any other
citizen; and, in closing, generally denies in toto the entire list of charges.
On the following day, March 24, the
replication of the House was filed by the Managers of Impeachment. The House simply
reasserted the charges, and announced that it stood ready to prove them true.
The counsel of the President had asked on
March 23 for thirty days to prepare for the defense, but this was denied them, and it was
ordered that the trial should begin on Monday, March 30. On that day the trial really
began in earnest, and has been continued to the present writing in a quiet, but intensely
interesting manner.
Our engravings in this issue of the Weekly
which bear upon this highly important event are of the most interesting character. On
pages 232 and 233 will be found one of the most valuable engravings which has ever
appeared in this journal. It is an elaborate and correct view of the interior of the
United States Senate Chamber, showing the details of the architecture and fresco-work, the
various departments of the gallery, the arrangement of the desks on the floor of the
Senate (thus giving at a glance the positions of the Senators, each of whom is portrayed
in his designated seat), and the temporary arrangement made for the accommodation of the
members of the House of Representatives, and the managers, and the counsel of the
President. In the Weekly for March 14 we gave a large engraving of the House of
Representatives, in which the same features were accurately portrayed. This companion
picture of the Senate is on the same scale and plan, and the two together represent the
two principal chambers of the national capitol more accurately than any similar drawings
yet made. The details of the architecture, etc., are made from photographs of the
architect's plans; the numerous portraits of the more prominent members of each House are
from photographs furnished by Messrs. Brady & Co., Pennsylvania Avenue. Washington;
and the beautiful design and accurate drawing are by Mr. Theodore R. Davis, our artist at
Washington.
On our first page will be found two
engravings which explain themselves. Mr. J. I. Christie, the Messenger of the Senate, has
been detailed by the Sergeant-at-Arms to receive the tickets of those admitted to the
trial, and our engraving illustrates him in the discharge of this duty. When it is known
that crowds of old ladies, negroes, etc., etc., indignant at being refused admission to
the Capital of the nation, are continually asking questions, making appeals, and muttering
threats, it is apparent that the position is not a sinecure. Four or five policemen are
necessary to keep back the crowd which is always waiting here during the session of the
Senate for the trial.
The House of Representatives have
resolved to attend the trial in Committee of the Whole, and our illustration represents
them approaching the door of the Senate, at which they are met by the Sergeant-at-Arms,
Mr. George T. Brown, whose duty it is to receive them and announce their presence to the
Senate.